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In This Issue

The Real Life of Shabaka Hutchings ║ By Bobby Reed
British saxophonist Shabaka Hutchings exploded onto the jazz scene with that rare gift of getting hips to sway and minds to think. In his first DownBeat cover article, Hutchings talks about Black To The Future, the latest recording by his group Sons of Kemet, as well as a new book and being creative during the COVID-19 pandemic.
Wadada Leo Smith: Across the Threshold ║ By Dave Cantor
During decades of recording and work alongside a cast of co-conspirators that could serve as a summation of jazz’s avant-garde wing, trumpeter Wadada Leo Smith has mapped his inspiration. And he continues to do so.
Jennifer Wharton: Trombone Ecstasy ║ By Suzanne Lorge
Jennifer Wharton, a bass trombonist, continues to challenge the prevailing view of her chosen instrument with Not A Novelty, her second Sunnyside album featuring Bonegasm, her trombone quartet with rhythm section. The March release serves as a timely sequel to the group’s self-titled 2019 debut, an uncommon record that landed on the jazz charts within a week of its launch.
Blindfold Test: Angelica Sanchez ║ By Gary Fukushima
The pianist currently enjoys a stately position of influence on the “new music” scene, alongside luminaries like Wadada Leo Smith and Marylin Crispell, both of whom she has recorded with in duo settings — the latter this past year with How To Turn The Moon (Pyroclastic). Sanchez, who teaches at Princeton and The New School, has a nonet album in the works.
The Beat
• Lake Street Dive • Billie Holiday Film Review • Julius Hemphill Boxed Set • Ralph Peterson Remembered • Hafez Modirzadeh • Janinah Burnet
Reed School: Master Class ║ By Mark Turner
Practice Strategies & Personal Goals
Reed School: Transcription ║ By Jimi Durso
Greg Osby’s Alto Saxophone Solo on “Tolerance”

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About DownBeat Magazine

Founded in 1934, DownBeat magazine is the world's premiere international jazz periodcal. It enjoys a rich legacy as “The Bible of Jazz,” having covered the most dynamic American music and musicians to emerge in the 20th and 21st centuries. Over the decades, millions of readers have been led to artists and recordings on the strength of DownBeat reviews, interviews, profiles, instructional articles and news reporting. DownBeat is owned and operated by Elmhurst, Illinois-based Maher Publications, a family-owned business. It is published 12 times annually.

Category: Music
Publisher: DownBeat Magazine
Published: Monthly
Language: English
Compatibility: iOS/Android App + Web Reader

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